Monday, 30 November 2020

Doctor Who: Audience and Industry blog tasks💕

Audience

1) Who is the target audience for Doctor Who? Has it changed since 1963?

appeals to masses (12-40), reboot helped gain younger fans.

2) What audience psychographic groups might particularly enjoy Doctor Who?

12 certificate so maybe young teens and reverences to popular culture (pop culture) 

3) What audience pleasures are offered by An Unearthly Child? Apply Blumler and Katz's Uses and Gratifications theory to the episode. Make sure you provide specific examples from the episode to support your ideas.

Personal Identity:
-susan-teenager-listening to music-costumes

-school setting-mise en scene

-teachers:barbara&ian-almost parental figures  


Personal Relationships:
-teacher+susan - audience wants them to be safe - cliffhanger/ enigma code. 

Diversion (Escapism): -dramatic sci fi narrative 

-mystery=susan-"unearthly"

-tardis

Surveillance (Information / Facts): technology , science , history

-the doctor

- the teacher

-the french revolution/ the space travel

            

4) What additional Uses and Gratifications would this episode provide to a modern 2020 audience?

In 2020 people may still watch doctor who as diversion. The sci-fi genre can be a form of escapism 


5) Thinking of the 3 Vs audience pleasures (Visceral, Vicarious and Voyeuristic pleasures), which of these can be applied to An Unearthly Child?

Visceral Pleasures: Tardis taking off- creepy junkyard

Vicarious Pleasures: Space and time travel - inside of the tardis 

Voyeuristic Pleasures: Teachers discussion of susan


Industries

1) What was the television industry like in 1963? How many channels were there?

In 1963 the television industry was small. There were only 3 channels available to watch.

2) Why is Doctor Who such an important franchise for the BBC? 

3) How does Doctor Who meet the BBC's mission statement to 'inform, educate and entertain'?

Doctor Who informs and educates people because of the science and history you learn throughout the show. It is also great entertainment as it provides a lot of science fiction and action in the episodes.

4) How is the BBC funded?

The BBC is funded from us as BBC license fee payers wheres other channel rely on advertising and sponsorship.

5) Who regulates the BBC and what is the watershed?

The BBC is regulated by OfCOM (the office of communications). OfCOM oversees all media channel and produces a code of conduct that all media channels must follow. This includes suitable programmes before the 9pm watershed and various other quality standards.



Wednesday, 11 November 2020

Class: Language and Representation💕

 Language and close-textual analysis


1) Write an NCIS analysis for the episode - using notes from the screening in class. Make specific, detailed reference to moments in the text using media terminology (e.g. media language - camera shots and movement, diegetic/non-diegetic sound, mise-en-scene etc.)

Co-owner of a Lonely Heart;


Narrative:
-"previously" recaps previous episodes
-corakinus tries to regain control of his heart
-april is seen carrying a sword

Character:
-shadow kin 
-april m 
-corakinus

Iconography:
-sword
-torches
-blue flame
-smoke cgi


Setting:

2) How does Todorov's theory of equilibrium apply to Co-owner of a Lonely Heart? Try and use the expanded version of Todorov's theory: Equilibrium - Disruption - Recognition - Reparation - New equilibrium.
the start of the equilibrium starts as April is the co-owner of corakinus' heart. April reveals her superpowers to her father which is a disruption. Aprils father confronts her mother about Aprils behaviour (recognition). the reparation was April still battling with corakinus to survive. The new equilibrium is April traveling to the shadow realm to defeat the shadow kin.

3) Applying Propp's character theory, what character roles do each of the main characters in Class fit into? Alternatively, you may wish to discuss how characters do not fit Propp's character types.
Charlie can be seen as props character roll as a hero as he saved his race from the shadow kin.
April Maclean can be seen as the princess as she's considered 'the damsel in distress' and protection from corakinus.
Corakinus can be seen as the villain because he fights the hero and was selfish about it.
Andrea Quill is seen as the donor as she is the leader of the quest (doctor) encourages her to support them in the quest.
Ram Singh can be seen as the false hero as he's the companion to the hero also helps the narrative progress.
Huw Maclean (Aprils dad) can be seen as the dispatcher as he informs Aprils mum about her superpowers 
Tanya Adeola can be seen as the helper as she communicates to the rest of the group to inform of developments in the quest.


4) What enigma and action codes (Barthes) can you find in Co-owner of a Lonely Heart? Make specific, detailed reference to the text using media terminology (e.g. media language - camera shots, diegetic/non-diegetic sound, mise-en-scene etc.)
Action Codes (physical code);
-pink flower petals: repetition of them seen as deadly
-blue swords: significantly links to sci-fi genre as links to violence of antagonist (corakinus)
-orange pupils (eyes): linking her corakinus together

Enigma Codes (non-verbal code mystery):
-conversation between mattheuz and Charlier about cabinet of souls 
-April becomes aggressive in her history lesson - potentially sharing corakinus emotions.
-mother regaining ability to walk- links to sci fi genre encourages narrative to next episode.

5) What examples of binary opposition (Levi-Strauss) can you find in Co-owner of a Lonely Heart? How do these create narrative or drama for the audience?
one key example of binary opposition is lightVdark is shown through planet earth (humans) and shadow realm (shadow kin). another example is loveVhate is April defeating her mother and attacks and confronts her father.


Representations

1) How is gender represented in Class - Co-owner of a Lonely Heart? Are gender stereotypes reinforced or subverted?
Many gender stereotypes are represented in Class, for example, females: Women are presented as strong and powerful in this show through empowered characters like April and Quill, which subverts the stereotype that women are weak. However, it could be argued that the show is also reinforcing this stereotype, as April's mother needs to be healed so she's seemingly under men also April's mother is still bothered by her ex-husband. The stereotype that men are always strong is both reinforced and subverted in the show. Ram is shown to be protective of April and a sporty character, which reinforces the stereotype, however, he is also seemingly defenceless against April and merely follows behind her into the tear.

2) How is age (e.g. teenagers; older people like teachers or parents) represented in Class - Co-owner of a Lonely Heart? Does the show reinforce or challenge stereotypes about young people?
The show subverts many stereotypes against youth, for example, that teenagers are weak. However, this is overseen through the powerful teenage characters like April, having to protect their older companions. The show also reinforces stereotypes against teenagers, one example is that Teenagers are impulsive, which is clearly demonstrated by Ram sudden decision to chase after April.

3) How is race and ethnicity represented in Class - Co-owner of a Lonely Heart? Are  stereotypes reinforced or subverted?
Racial stereotypes are subverted in this show, with lead roles like Ram and Tanya as crucial characters in the show. It subverts the ideas that certain races, like Indians and BAME, are all uptight and untrusting since Ram/ Tanya are very open and trusting characters. Also, the show includes characters from East Europe who are openly gay, which both reinforces and subverts stereotypes that Eastern Europeans are all homophobic, as a lead role is gay, yet he is disowned by his family.

4) How is sexuality represented in Class - Co-owner of a Lonely Heart? How does this reflect the BBC's remit to represent modern Britain?
The show includes an openly gay relationship, which is not made to be different from any other relationship, massively subverting centuries of media which did not represent this group of people. This reflects BBC's remit since it shows how all realtionships are accepted and can be shown even on television, like Charlie and Matteusz' relationship.

5) How is disability represented in Class - Co-owner of a Lonely Heart? Why are disabled people generally under-represented in the media and how does Class try to address this?
Disability in Class is represented as something that is entirely normal, yet it also destroys this, since April heals her mother's paralysis, undermining how her disability should be permanent but unimportant. Disability is often under-represented as many people who are disabled are seen as pitiful and weaker, therefore unnecessary to be seen on screen. the show tries to subvert this by including a strong-willed disabled character, but ultimately fail in this, since her disability is written off as something that must be healed for her to be "normal".

Doctor Who: Language and Representation blog tasks💕

Language and close-textual analysis

1) Choose three key moments in the episode and write an NCIS analysis for those clips. You can use your notes from the screening in class. Make specific, detailed references using media terminology (e.g. media language - camera shots, diegetic/non-diegetic sound, mise-en-scene etc.)

An Unearthly Child scene analysis 0:00-06:40

Narrative: 
-police officer patrolling
-teachers were trying to establish where Susan lived
-concerned for her welfare

Character: 
-police officer
-ian chesterton
-barbara wright/history teacher
-susan forman/student

Iconography: 
-eerie sounds (non diegetic)
-electronic (sound effects from spaceship)
-foggy atmostphere creates mystery
-teachers formally dressed 
-science experiment equipment

Setting: 
-school
-junkyard
-outside school
-inside science classrooms


2) How does Todorov's theory of equilibrium apply to An Unearthly Child? Try and use the expanded version of Todorov's theory: Equilibrium - Disruption - Recognition - Reparation - New equilibrium.
Starts in the equilibrium of the school, which is disrupted by Susan. The teachers follow Susan into the junkyard (recognition), but this attempt failed as they were met with  another disequilibrium of the Doctor and their transportation to another time. The episode ends with no attempt at reparation.


3) Applying Propp's character theory, what character roles do each of the main characters in An Unearthly Child fit into? Alternatively, you may wish to discuss how characters do not fit Propp's character types.
Barbara and Ian can be seen as props character roll as the hero as she's concerned for Susans welfare 
Susan can be seen as the princess as she's the person being "saved"
Doctor (Susans Grandfather) can be seen as the villain as he refuses to cooperate (hostile)
Barbara can be seen as the helper as she follows Ian and this initiated her concerns for Susan.


4) What enigma and action codes (Barthes) can you find in An Unearthly Child? Make specific, detailed reference to the text using media terminology (e.g. media language - camera shots, diegetic/non-diegetic sound, mise-en-scene etc.)
When first introduced to the character Susan we find her dancing strangely, this enigma code suggests how her role may not be of this world. An action code we see is a scene of a police officer investigating the junkyard, which is convinent towards the end of the show. 

5) What examples of binary opposition (Levi-Strauss) can you find in An Unearthly Child? How do these create narrative or drama for the audience?
One key example of binary opposition in this episode is Old and Young. This is shown through Susan and The Doctor. Another example is Intelligence and Ignorance. This is shown through Ian's refusal to listen to the Doctor and his shock due to this. Another binary opposition in this episode is Weak and Strong.You could argue that in this episode, women are shown as weaker than men, as Babara and Susan are reliant on men. 


Representations

1) What stereotypes of men are reinforced and subverted in Doctor Who: An Unearthly Child? How?
A key stereotype of men that is enforced is that they should be more scientific than women, as Ian is a science teacher and there are seemingly no other female science teachers. Additionally, the stereotype that men are dominant is also reinforced in this episode because Ian takes the lead instead of Barbara, and the Doctor is the only character that controls the TARDIS, not Susan. However, this stereotype is also subverted as Ian was protected by Susan when entering the TARDIS.

2) What stereotypes of women/girls are reinforced and subverted in Doctor Who: An Unearthly Child? How?
A key stereotype that is reinforced is that women are much more emotional than men. This is shown when Barbara's worries about Susan and her fear in the TARDIS, as well as Susan's extremely emotional reaction to the Doctor taking off. The stereotype that women are weak is reinforced in this episode as Barbara needs Ian's protection and is quite reliant on him, proving how women are vulnerable. Susan also subverts this stereotype, as she attempts to fight back against the Doctor and holds her own ground.

3) What are common media stereotypes of young people and old people? Do any of the characters or scenarios reinforce or subvert these conventional stereotypes (consider this was 1963)? Has this changed in more recent series of Doctor Who?
One common media stereotype of young people is that they're rebellious which is clearly demonstrated through Susan. One stereotype of old people is that they're weak and wise which is both reinforced and subverted through the Doctor, it is reinforced because the Doctor is shown as an intelligent and rude character but is also strong since he can withstand Susan's attempt to stop him

4) What representations of race/ethnicity can be found in Doctor Who: An Earthly Child? Is this surprising or not? Give reasons for your answer and consider historical / cultural context (the 1960s). Has this changed in more recent series of Doctor Who?
There is only a clear representation of people of British, or white ethnicity. This is due to the lack of diversity on television at the time. Additionally, the 1960s were a time where racism was acceptable, and people of colour on television was not normal. In more recent seasons of the doctor this has changed, with companions of the Doctor being of colour.

5) How is social class represented in An Unearthly Child? Think about how education and knowledge is presented in the episode.
In this episode, the only class that is represented is the middle or upper class, as all the characters are clearly educated and are white, which suggests that they are of middle or higher class. The only human characters in this show are teachers, which further shows that the middle class is being represented.

Social and Historical context

1) How does An Unearthly Child reflect the social and historical contexts of the 1960s?
The plot was a narrative involving the Doctor and his companions voyaging
100,000 years into Earth’s past to help some cavemen discover fire. This contextually links to many current events that occurred in  the 1960s for example; 1969- First Man on the moon; 1961- First man in space as they all linked to science related events just like Doctor Who.

2) How might audiences have felt towards science fiction in the 1960s?
In my opinion, I think audiences could have felt more intrigued and excited as science fiction is evolving its becoming more realistic as the years go on which can make the consumers more likely to watch